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New Hozier Album, “Unreal, Unearth,” Stuns the World by Uprooting Deep Emotions [REVIEW]
Madi Oswalt
, Arts & Entertainment Editor
September 27, 2023
Review: Compound Music Festival
Sean Alexander
, Director of Photography
September 27, 2023
After the Show: WHIPPED CREAM
Sean Alexander
, Director of Photography
September 27, 2023
“Barbie” Broke Down the Infuriating Demands of Womanhood into Hot Pink, Sparkly Pieces [REVIEW & SPOILERS]
Chloe Platt
, Managing Editor
August 8, 2023
“Nothing will come of nothing:” A Succession Retrospective [SPOILERS]
Genny Sheara
, Editor-in-Chief
May 31, 2023
Annual Seattle U Film Festival Exposes Child-like Genius
Hannah Mwangi
, Volunteer Reporter
May 31, 2023
Controversial Collabs and More Lana Del Rey: An Updated Midnights Review
Natalie Schorr
, Social Media Manager
May 31, 2023
Fashion, Food and Performances: African Student Association Celebrates “African Night”
George Burquest
, Staff Reporter
May 31, 2023
The Invitations of Quadstock 33: Into the depths of the Rubber-Scented Arena!
Hannah Mwangi
, Volunteer Reporter
May 24, 2023
Identity and Reflection in Art: BFA Photography Exhibition Display
Leila Bunker
, Staff Reporter
May 24, 2023
How “Zelda: Tears of the Kingdom” Ascends [SPOILER FREE]
George Burquest
, Staff Reporter
May 24, 2023
Silk 700 Showcase: A Love for Trance Music [REVIEW]
Sean Campbell
, Staff Reporter
May 17, 2023
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![New Hozier Album, “Unreal, Unearth,” Stuns the World by Uprooting Deep Emotions [REVIEW]](https://seattlespectator.com/wp-content/uploads/2023/09/Hozier-Kay-McHugh-1200x772.png)
![“Nothing will come of nothing:” A Succession Retrospective [SPOILERS]](https://seattlespectator.com/wp-content/uploads/2023/05/Successioncore-900x600.jpg)
![How “Zelda: Tears of the Kingdom” Ascends [SPOILER FREE]](https://seattlespectator.com/wp-content/uploads/2023/05/Zelda-Madison-Oswalt-900x625.jpeg)
